TESTIMONIALS

Here are a few of the comments we've gotten from our clients and from some of the producers and engineers who've worked in our rooms:

"Nice work at Airtime, sounds great inside - and out." -Gary Katz, Steely Dan producer

"Wes is one of the most brilliant and inspiring people I've met in the music business." -John Baccigaluppi, Tape Op magazine senior editor

"The thing I like about Mitch's control room at the Fidelitorium is the fact that no matter where I am, I get the same tonal balance. It's big and I can wander around it and get a feel for what the mix really sounds like. In that room I can hear the details in the mids and upper bass better than anyplace." -Don Dixon, R.E.M. coproducer

"You provided the tools we needed...thanks again...whoever is getting you is lucky!" -Richard Flanzer, owner, Electric Lady Studios

"Wes brings a keen intelligence and a real passion to every project he does. And his rooms are peerless, a joy to work in: musical, articulate, and accurate." -Chris Stamey, producer and owner, Modern Recording

"Even people who have never been in a studio before comment about the "feel" of the rooms. Everyone who walks through my door is impressed. The quality of my work has increased tremendously because I can really hear what is happening." -Dave Weber, producer and owner, Airtime Studio

"I LOVE those soffit monitors." -David Barbe, producer and owner, Chase Park Transduction

"I'm still loving the studio. Thanks again." -Kurt Ballou, producer and owner, Godcity Recording

"The clients really love the space and vibe. And the sound is awesome as well. I am doing a lot less second and third mixes...getting great first final mixes." -Dale Price, producer and owner, Electric Canyon

"I cannot believe the way things sound: clear, detailed, tight and defined low end... stunning!" -Brad Smalling, producer and owner, Evergroove Studio